FMT 121109
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- Ruffian0
"Devo - Duty Now For The Future" (1979)
http://www.mediafire.com/?49gdpy…
- Ruffian0
Collini, out!
- inkpink0
Soultek - Dreaming Under A Starlit Sky
Echospace [Detroit]
Chill Out, House, Technohttp://hotfile.com/dl/20557277/e…
- inkpink0
and best for last...
Move D and Namlook – The Evolution Of
compiling and reworking select gems from almost 15 years of the incredible Peter Kuhlmann & David Moufang sessions.http://www.discogs.com/Move-D-Na…
http://www.discogs.com/artist/Mo…http://rapidshare.com/files/3082…
or http://hotfile.com/dl/17823384/5…
- CyBrain0
I was just listening to Deep Space Network when I looked up Move D and found out he was behind Deep Space Network. So here it is.
http://rapidshare.com/files/1035…
http://rapidshare.com/files/1035…
- ukit0
ASTRAL SOCIAL CLUB - Octuplex
Neil Campbell's Astral Social Club return to VHF with a list of collaborators in tow, including Richard Youngs, John Clyde-Evans, and oddly, Spider Stacy from The Pogues. Although it's difficult to determine quite who did what on this noisy debacle, the results present a highlight in ASC's recent output, establishing a sound that's both tumultuous yet also quite crisply delivered, particularly on the more rhythmically-oriented tracks like 'Caustic Roe' or 'Aggro Vault', which mimic the surreal anti- beat creations of Black Dice. Elsewhere, 'Pilgrim Sunburst' and 'Radial Hermaphropite' present tripped-out, searing illbience with flecks of jazz and free-improv clashing with programmed electronics, while closing piece 'Hot Toxer' is pretty audacious, sounding like a Kompakt schaffel 12" being played-back on the surface of the sun - melting those beats into a squidgy mess of effects and excessive saturation.
- ukit0
The fabulous Jan Jelinek is back with his third solo release on ~scape; 'Kosmischer Pitch'. With a sound that is broadly comparable to his own 'La Nouvelle Pauvrete', Jelinek has made a significant move from the crackling lint of 'Loop Finding Jazz Records' whilst managing to retain that special something which made it so damn irresistible. Opening with ' Universal Band Silhouette', Jelinek's time collaborating with Antipodean jazz-boys Triosk is startlingly clear; as a mealy and much worn sample is incrementally layered upon by live instrumentation and thrumming intent - a sound which can't help but recall the more dark-hearted corners of Ennio Morricone's back catalogue. Similarly, both 'Lemminge Und Lurchen Inc.' and 'Vibraphonspulen' inhabit an illiberal and sequestered aural region where a hushed rectitude is favoured over unnecessary bombast, leading to a deliciously crumbly sound that expertly blends love-worn vinyl samples with a keen and instinctive song writing talent. Elsewhere, Jelinek's obvious reverence for La Monte Young's minimalist compositions and William Basinski's sprawling diffusion come to the fore on the closing blush of 'Morphing Leadgitarre Rückwärts', whilst 'I'm Discodickicht' draws upon the good old Radiophonic Workshop for inspiration. Deep, introverted music for the middle of the night.
- meffid0
http://soundcloud.com/melbourneb…
Booty breaks/Breaks with a break down then some tech
- ukit0
- ukit0
Discreet Music (1975) is an album by the British ambient musician Brian Eno. While (No Pussyfooting) may be his first ambient album and Another Green World features many ambient pieces, this is Brian Eno’s first purely ambient solo album.
The inspiration for this album began when Eno was left bed-ridden by an accident and was given an album of eighteenth century harp music. After struggling to put the record on the turntable and returning to bed, he realized that it was turned down toward the threshold of inaudibility and he lacked the strength to get up from the bed again and turn it up. Eno said this experience taught him a new way to perceive music.
This album is also an experiment in algorithmic, generative composition. His intention was to explore multiple ways to create music with limited planning or intervention.
- ukit0
Had to repost this...probably my favorite album of the year
'Rifts' is a double disc collection of three hugely essential albums of psycho-sythual experimentation produced by Daniel Lopatin aka Oneohtrix Point Never for the Arbor and No Fun imprints. Much like his contemporaries Emeralds, Lopatin is one of those enviably prolific underground figures, constantly committing his experiments to limited runs of sought-after CDRs and cassettes over the last two years.
To shed a little light on his background, his father was a member of Russian psych outfit The Flying Dutchmen, and owner of a Juno 60 and Hohner Stringer. So it's easy to draw a line to his eerie analog synth sound, reminiscent of Kluster, Schulze or more recently, Boards Of Canada.
It's this latter influence which has become more prominent in OPN's recent sound, as he's condensed his psychoactive scope from dilated 10 min+ prog trips, to more miniaturised scapes reminiscent of BoC's cherished interludes like opener 'Behind The Bank', or the lush lunar missions of The Ghost Box label with 'Actual Air'.
He's also cleverly anchored the abstraction of his pure synthesizer music with brilliantly evocative concepts tied to each of the LP's, from the stoned cosmonaut having a bad day on 'Betrayed In The Octagon', to scenes of an alien planet very similar to our own on 'Zones Without People' and the construct of the aforementioned Russian spaceman composing the score to a film from his deathbed in 'Russian Mind'.
It's that sense of nostalgia, or a yearning for lost sci-fi futures also shared by Leyland Kirby that makes this collection a personal experience sure to dock with the emotional receptors of folks (like ourselves) who are susceptible to it. At twenty seven tracks, this is surely one of the most essential and absorbing releases of the year. Essential Purchase.
- duckofrubber0
This thread should never die.
- ukit0
^ lil sampler of the above
- ukit0
200!
